The Vanaver Caravan is honored to be a grantee of New York State Council on the Arts (NYSCA), awarded $49,500 in FY 2026. “During these challenging times, the New York State Council on the Arts has been a stalwart and innovative funder. These grants will serve artists and organizations in every region and county, fueling our economy and serving our communities. We know this support isn’t just an investment in the arts; it’s an investment in New York’s future. Congratulations to The Vanaver Caravan and thank you for your perseverance, your creativity, and your tireless service to New York State.” - Erika Mallin, New York State Council on the Arts Executive Director

William “Bill” Vanaver

September 1, 1943 – June 15, 2025

William “Bill” Vanaver, visionary musician, composer, folklorist,and co-founder/ Music Director of The Vanaver Caravan, passed away peacefully on Sunday, June 15, 2025, in Rosendale, NY. He was  81 years old. He died in the arms of his wife and lifelong creative partner, Livia Drapkin Vanaver.

And the world just got a little quieter.

Born on September 1, 1943 in Minneapolis and raised in Philadelphia, Bill showed an early passion for music. He became a lifelong student of folk music traditions from around the world—studying with master musicians, and dance and music culture carriers, collecting rare songs and instruments, and developing a musical voice that was both deeply rooted and wildly original.

In 1972, Bill and Livia co-founded The Vanaver Caravan, a groundbreaking company devoted to bringing world dance and music to stages and classrooms across the globe. Their work spanned continents, cultures, and generations. But more than that, it was an extension of the life they built together—equal parts visionary and joyful, sacred and playful. Bill was the musical soul of the Caravan: its arranger, composer, lead musician, and spirit-keeper of rhythm and song. He held a vast world of musical knowledge—an archive of rhythm, song, and feeling. His presence will continue to be felt in every future performance of the Vanaver Caravan, downstage right, in the spotlight. 

Bill’s love for Livia was the constant chord beneath everything he did. From the moment he spotted her across the dance floor at the Balkan Dance & Music festival at Columbia University in 1971, he was transfixed. She became his muse, his partner, his co-conspirator in creativity and in life. Their marriage, their artistic collaborations, and their shared purpose formed the heartbeat of The Vanaver Caravan. Bill’s eyes always lit up when Livia entered the room—whether they were on stage together or sharing a rare quiet morning at home. That glimmer never faded. And in the final moments of his life, it was Livia’s arms that held him as he departed.

Bill’s musical range was vast. He played guitar, banjo, mandolin, fiddle, oud, pipa , tambura, and many more instruments from a lifetime of exploration. His work wove together Appalachian, Balkan, Middle Eastern, and American folk traditions with original compositions that brimmed with emotional depth and rhythmic complexity. His arrangements and performances reached audiences from Lincoln Center to village greens, each with the same intent: to connect, to uplift, to delight.

In recent years, Bill continued composing with boundless imagination—including a symphonic piece inspired by the nine Greek muses, a work he completed just before his final days. He believed in the sacred origins of creativity, and in music’s power to heal, transform, and bring peace.

Bill was known for his groan-worthy puns, his endless curiosity, and the way his mind lit up with questions. He could talk for hours about musical theory, historical nuance, obscure instruments, or the ways art could change people. He was a magnetic teacher, a collaborator, and an unrepentant romantic. He brought joy, chaos, wonder, and wisdom to every room he entered.

He is survived by his wife and partner of more than 50 years, Livia Vanaver, and by their three sons: Elijah, Shiloh, and Gabriel Vanaver and his brother, Warren.  He also leaves behind a vast extended family of dancers, musicians, students, collaborators, and friends around the world—people whose lives he shaped through rhythm, imagination, and love.

There is no one in the world quite like Bill Vanaver. And there never will be. But if we listen closely—to a 7/8 time signature, the percussive downbeat of a basic step, the extended tuning of an old stringed instrument, or a well-placed pun that makes us groan and grin—we might just hear him. A twinkle of delight, somewhere just beyond—a head kn the clouds, chasing after a song.

A graveside service will be held at 10:00 a.m. on Tuesday, June 17, at the Rosendale Cemetery’s Natural Burial Ground in the woods, for close friends and family. A larger memorial and celebration of Bill’s life will take place later this year. 

The Vanaver Caravan is thrilled to announce its newest production, a dynamic exploration of America’s cultural and social heritage, directed by Brian T. Lawton. This groundbreaking project weaves together the music, stories, and movements that have shaped the nation. Guided by our newly-formed Artistic Re-Visioning Committee—a collective of next-generation Caravan dancers and musicians working in close collaboration with our founding members, Livia and Bill Vanaver—this performance breathes fresh perspectives and renewed energy into our creative legacy. READ ON . . .

This month, The Vanaver Caravan is in India! Livia, Bill, Andy Teirstein, Jill Ann Schwartz, and Chelsea Needham are part of the Shakti Caravan, sharing dance and music in the streets and schools of Udaipur and Pondicherry.